- Condition: New
- Format: DVD
- Box set; Closed-captioned; Color; Dolby; DVD; Subtitled; NTSC
Sultry crime boss Lucy Diamond (Jordana Brewster,
The Fast and the Furious) is back in the states and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail. But when their top agent, gorgeous Amy Bradshaw (Sara Foster,
The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy's secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy spy spoof about love at first gun sight.You can say this about
D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (! from
Heathers and
Clueless to
Charlie’s Angels and the
Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to! put on considerable weight to even be considered frothy. Stil! l,
D. E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast.
--Sam GrahamThe producers of the raw and uncensored Def Comedy Jam and the Tony Award-winning Def Poetry Jam, in association with F.E.D.S. magazine, now take millions of hip-hop fans to the birthplace of the multi-billion dollar rap industry... The Streets. Bringing to life the stories chronicled in each issue of the unofficial street bible, new Def Filmmaker Kwame Amouku is given a pass to the neighborhoods, sets and underground spots that street bosses would never allow TV cameras to enter. Original and present day sets of South Central and Compton Bloods and Crips with OGs T. Rodgers and Michael Concepcion as our tour guides. F.E.D.S. features: The underground breeding, training, fighting and execution dens of the street's and hip-hop's official mascot, the pit bull; The home and hustle spots of one of the only Harlem hu! stlers to ever get out of the game and live to tell about it. Told directly from the mouth of the legendary gentleman hustler himself, PeeWee Kirkland; The site of the attempted murder of F.E.D.S. founder Antoine Clark and the story of the magazine's unlikely rise to become the street's first publishing dynasty; A sneak preview of the home of legendary and present day bosses of the most notorious Jamaican Shottas, live and direct from Tivoli Gardens, Jamaica; The censors are off, the cameras are rolling and the streets are alking! Songs include: Being Lonely (Field Mob), Fly (213), Off the Wall (Skillz), Get By (Talib Kewli), Do Sumpthin? (Comp), B-More Anthem (Comp), Pushaman (Joe Budden), Safe (Scarface), In Cold Blood (Scarface), Uh Huh (Method Man), Hood Money (CNN)You can say this about
D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previo! us films (from
Heathers and
Clueless to
Charl! ie’s A ngels and the
Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Sti! ll,
D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast.
--Sam GrahamYou can say this about "D.E.B.S.": director Angela Robinson'Äôs 2005 feature isn'Äôt very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from "Heathers" and "Clueless" to "Charlie'Äôs Angels" and the "Austin Powers" franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself fallin! g in love with her. Out goes the espionage element; in comes t! he love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, "D.E.B.S." isn'Äôt a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. "--Sam Graham"You can say this about
D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from
Heathers and
Clueless to
Charlie’s Angels and the
Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, a! nd the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still,
D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast.
--Sam GrahamCom! plete collection of eigth season episodes of the television pr! ogram ab out six friends living in New York.
Item Type: DVD Movie
Item Rating: NR
Street Date: 09/06/05
Wide Screen: no
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: yes
Re-Release: no
Packaging: SleeveThe eighth season of Friends picks up just moments after Monica and Chandler said, "I do." But the focus of this season is firmly on Rachel's pregnancy, as the story progresses from fatherhood revelations in "The One with the Red Sweater" and "The One Where Rachel Tells..." toward complicated new feelings for Rachel, Ross, and Joey, culminating in the maternity ward two-parter "The One Where Rachel Has a Baby." But it's not all Rachel's pregnancy story. Standalone highlights include "The One with the Rumor" in which the "We Hate Rachel" club started in high school by Ross and a certain Mr. Jenn! ifer Aniston (an uncredited Brad Pitt) is revealed; while "The One with Monica's Boots" has Monica and Chandler arguing over finances when Phoebe and Ross are arguing over the attentions of Sting's wife, Trudie Styler (cameoing as herself). Relationship complications fall upon Phoebe as "The One with the Tea Leaves" hooks her up with a stellar cameo from Alec Baldwin. "The One with Joey's Interview" has Matt LeBlanc in top form preparing to be interviewed by Soap Opera Digest. But time starts to tick faster for everyone in "The One Where Rachel Is Late," as Joey's WWI movie finally arrives, but is overshadowed by the wait for Rachel's overdue arrival. Naturally it's all build-up to the cliffhanger finale and a final emotional surprise. --Paul Tonks
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