Thursday, December 1, 2011

Beyblade Metal Masters Battle Tops - Thermal Pisces (T125ES)

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Miramax Films presents the wickedly offbeat love story, Eagle vs Shark, a funny, fractured romance between two total misfits woven into an all-consuming quest for revenge and shot through with the strange, sweet hilarity of the human condition. When Lily (Horsley), a lonely, oddball fast-food waitress and hopeless romantic, and Jarrod (Clement), another lonely oddball and video game clerk who has spent the last ! decade plotting revenge against a bully from high school, connect at a dress as your favorite animal party, it s a match seemingly made in outcast Heaven. But when Lily decides to risk everything for love, her hopes are nearly dashed as, after a brief fling, Jarrod dumps her because he s too busy training for his all-important payback mission. But neither of them can anticipate the grit the steadfastly optimistic Lily will show in her heartbreak. As Jarrod's day of reckoning arrives and everything hits the fan, Jarrod and Lily will find something that goes beyond romantic fantasies and revenge faith in who they are.Since the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet! boorish Jarrod (Jemaine Clement from HBO's Flight of the C! onchords ). Sporting the worst on-screen hairdo since Javier Bardem's pageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. Anderson's Punch-Drunk Love, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoeni! x Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird charm of Waititi's first feature. --Kathleen C. FennessySince the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo since Javier Bardem's pageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle! --her fortunes begin to change, but there's a catch: Much like! Adam Sa ndler's tightly-wound salesman in P.T. Anderson's Punch-Drunk Love, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird charm of Waititi's first feature. --Kathleen C. FennessyGolden Globe(r) winner* John Travolta leads an all-star cast in the hysterical comedy thatTime calls "smart, shrewdly crafted [and] hilarious!" Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker ! Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito), romances B-movie queen Karen Flores (Rene Russo) and even gets reservations at the hottest restaurants intown. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglersand the angry mobster who won't leave him alone! *1996: Actor (Comedy)Get ShortyHailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new caree! r as a would-be movie producer. He pitches ideas with a sleazy! produce r (Gene Hackman) and a major star (Danny DeVito), and also finds time to deal with a vengeful Mobster (Dennis Farina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff ShannonSoundtrack to the acclaimed film starring Jermaine Clement (one half of Flight Of The Conchords) and written and directed by Oscar-nominated New Zealander Taika Waititi. The album features an original score written by Wellington band The Phoenix Foundation, who contributed seven songs (including 'Hitchcock' and 'Seaworld' from their second album Pegasus), three score pieces, as well as two songs from Phoenix Foundation member Luke Buda's solo albums. Also included are tracks from prominent New Zealand artists Age Pryor, The Reduction Agent! s and Tessa Rain as well as international acts The Stone Roses and M. Ward. Hollywood Records.

Turn up the excitement with this awesome customizable top. Choose among the top's five pieces and use the assembly tool to engineer just the right performance. Want a sustaining vortex spin? Add the Spin Track: T125 piece. Need to maximize your top's stamina? Be sure to include the Performance Tip: ES piece. Then, set your top up on its launcher, pull the ripcord and send it spinning into action. Sharpen your skills on your own or battle it out with your friends in any Beystadium arena - they'll be up against some serious competition with you and your Thermal Pisces top.

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Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia

The Horse Whisperer

  • After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

The Horse Whisperer is a! story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.

One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES ! BESTSELLER

His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraor! dinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's soug! ht out by a fast-lane New York magazine editor (Kristin Scott ! Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

A Dog of Flanders

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A classic sentimental story of a rustic boy, Patrasche, and his beloved dog. The boy desires to be an art! ist and the dog helps him reach his goal. Both of them face va! rious ha rdships to fulfill the dream. The novel stresses the need for hard work in order to realize an ambition. Undoubtedly a wonderful piece of writing that will be engraved in the reader’s memory. Timeless!

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Casino Jack and the United States of Money

  • This portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction.  A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our polit
Two-time Academy Award® Winner Kevin Spacey delivers a “bravura performance” (The New Yorker ) in this “uproarious, riveting and wickedly hilarious” (Elle ) film inspired by a true story. Spacey stars as Jack Abramoff, the real-life Washington power player who resorted to jaw-dropping levels of fraud and corruption. High-rolling excess and outrageous escapades are all in a day’s work for Abramoff, as he goes to outrageous lengths to promote the Indian gambling industry, earning him the nickna! me “Casino Jack.” But when Jack and his womanizing protégé Michael Scanlon (Barry Pepper) enlist a dimwitted business partner (Jon Lovitz) for an illegal scheme, they find themselves ensnared in a web of greed and murder that explodes into a worldwide scandal.The sordid tale of lobbyist Jack Abramoff and his greedy, felonious power plays during the glory days of the W. presidency are fine fuel for the antic romp Kevin Spacey turns out in Casino Jack. Spacey's signature twist of smug sincerity and self-satisfaction perfectly suits the portrait of a man whose morals are so corrupt and ego so glorified that he truly believes he's doing God's work at the same time he's swiping cash from every opportunistic situation he can wrangle. As a companion piece to Alex Gibney's equally entertaining documentary Casino Jack and the United States of Money, this comic rendering of a political life led with such impolitic indiscretion ramps the ridiculousness of Abramoff'! s schemes up several notches thanks to a liberal dose of drama! tic lice nse. Nevertheless, the events portrayed are real--the ploys to defraud Indian tribes, the bumbling forays of entrepreneurship, the ballsy attempts at misdirection once misdeeds spiral out of control--as are many of the major players. Director George Hickenlooper (who died at age 47 just days before the film's opening in late 2010) has no compunction about magnifying the ethical warts of historical players such as Tom DeLay, Ralph Reed, Grover Norquist, and Karl Rove as they act out the real-life sketch comedy of what really happened in the corridors of the Capitol and the conference rooms of K Street. Because it does come off as high-end sketch comedy, Casino Jack sometimes feels a little sketchy in its execution, but the cast is uniformly excellent in making scenes crackle with hilariously vituperative flair. Especially good are Barry Pepper as Abramoff's oily cohort, Jon Lovitz as a doltish, mobbed-up mattress salesman, and the late Maury Chaykin as a seemingly harm! less mafia functionary who's way more dangerous than his clownish exterior betrays. But the movie belongs to Spacey as a man obsessed with his own importance. This Abramoff, who worked as a C-list producer early in his career, still fancies himself a Hollywood-type player even as the A-list plots he scripts in Washington end up filled with holes. Spacey apes and mugs with typically borderline-manic panache, giving masterful insight into the master of a universe that exists almost entirely in his own avaricious mind. --Ted FryThis portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction. A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our political process. Oscar®-winning filmmaker Alex Gibney illu! minates the way politicians' desperate need to get
elected ! and the millions of dollars it costs may be undermining the basic principles of American democracy. Infuriating, yet undeniably eye-opening and entertaining, CASINO JACK is a saga of greed and corruption with a cynical villain audiences will love to hate.As he proved in Enron: The Smartest Guys in the Room, Oscar-winning director Alex Gibney knows how to transform creative bookkeeping into compelling drama without dumbing things down. In his follow-up to Gonzo, a portrait of rabble-rouser Hunter S. Thompson, Gibney takes on disgraced GOP lobbyist Jack Abramoff (Stanley Tucci provides his voice in readings). Gibney begins with the Mob-style murder of a one-time associate before backtracking to Abramoff's days as chairman of the College Republicans, where he rubbed shoulders with Karl Rove and Ralph Reed--and impressed Ronald Reagan. Even as a student, however, there were signs of trouble as he laundered money through charities, a pattern he would repeat throughout the d! ecades, always on the lookout for new loopholes. Gibney proceeds through his dealings with the Contras, an Angolan dictator, Saipan sweatshops, and Indian casinos (the debacle in Angola led him to produce the right-wing shoot-'em-up Red Scorpion). Along the way, Abramoff ensnared lawmakers and government officials in his web as they traded political favors for campaign financing. As Bob Ney's chief of staff, Neil Volz, puts it, Abramoff "could talk a dog off a meat truck." When his house of cards finally came crashing down, Reed, Ney, Volz, Tom DeLay, and numerous others fell with him (all but Reed appear in the film). As in his other documentaries, Gibney juices the action with music cues that keep things lively, even if some of his choices are a little too on the nose, like Howlin' Wolf's "Back Door Man." --Kathleen C. Fennessy

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Take West Side Story, remove the music, add excessive profanity and violence, and you'll get Deuces Wild. It's an overripe melodrama in which rival street gangs--in this case Deuces vs. Vipers in 1958 Brooklyn--inevitably clash in a deadly rumble, preceded by shameless scenery-chewing from nearly everyone involved. Stephen Dorff plays the head Deuce, agonizing over his older brother's drug overdose and leading a cast of rising stars and familiar faces including Brad Renfro as Dorff's hot-tempered kid brother, Norman Reedus as the vicious lead Viper, Fairuza Balk as Renfro's no-nonsense girlfriend, and Matt Dillon (uncredited) as the kingpin who introduces heroin to Dorff's drug-free turf. Balthazar Getty, Frankie Muniz, and James Franco are also in the cast, suggesting ! that director Scott Kalvert was hoping for an unforgettable ensemble. What he got instead was a stale story crowded with percolating posers, recommended only for those who've never seen the 1979 street-gang classic The Warriors. --Jeff ShannonJapanese Release featuring Four Bonus Tracks: Polly's Birthday Boogie (W/Jules Holland), Hummingbird (W/Dion Warwick), Let the Good Times Roll (W/Zucceiro), and an Undecided Bonus Track.B.B. King, probably the most celebrated living blues player, has come a long way from Itta Bena, Mississippi, and this CD illustrates just how far. A series of guest shots by such artists as Van Morrison, Tracy Chapman, Eric Clapton, Mick Hucknall, Bonnie Raitt, Dr. John, Joe Cocker, Marty Stuart, the Rolling Stones, and Willie Nelson, Deuces Wild is far removed from the blues King played in the '40s and '50s. It's more like psychodrama, especially in the case of the Cocker track, "Dangerous Mood." Nobody here, celebrity notwithstan! ding, is just going through the motions. The album's crass con! cept is redeemed by, among others, drummers Steve Jordan, Jim Keltner, and Charlie Watts. Although it's an overblown international project with no affinity for the meaning of the blues, the players and their love for the music triumph. --Stanley Booth

The Game Plan (Full Screen Edition)

  • In this hilarious and heartwarming family comedy, one of the sport's toughest players ever takes on his biggest challenge yet -- fatherhood! A superstar with an ego bigger than a football field, Joe Kingman (Dwayne "The Rock" Johnson) is getting ready for a run at the big championship game when the 8-year-old daughter he never knew existed shows up at his not-so-family-friendly bachelo
Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach the kids football--and then take on high school teams. Thoug! h based on a true story (documentary footage over the closing ! credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)







Beyond Gridiron Gang at Amazon.com


More Football Films

The Soundtrack

Other Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he an! d his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach! the kids football--and then take on high school teams. Though! based o n a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

!







Beyond Gridiron Gang at Amazon.com


More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. De! sperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's "Pimp My Ride") devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and disciplin! e, Porter persuades his superiors to let him teach the kids fo! otball-- and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)







Beyond Gridiron Gang at Amazon.com

!


More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet! a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not! -yet-hardened kids a taste of self-esteem and discipline, Port! er persu ades his superiors to let him teach the kids football--and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)







Beyond Grid! iron Gang at Amazon.com


More Football Films

The Soundtrack

Films about Underdogs

Studio: Buena Vista Home Video Release Date: 08/15/2008 Run time: 110 minutes Rating: Pg"When you look at me, what do you see?" pontificates football star Joe Kingman, then provides the answer: "Greatness." Well, clearly an ego like that needs to be brought down to size--pint-size. The winni! ng family comedy The Game Plan has a whole lot going for it, including star Dwayne "The Rock" Johnson, who's a natural comedic actor (and the camera loves him), and the young actress (Madison Pettis) who plays the daughter he didn't know he had, Peyton. The plot doesn't break much new ground, since many films have mined the territory of the self-indulgent child-adult who suddenly "inherits" a child (from Three Men and a Baby to Baby Boom to Big Daddy to Raising Helen). But thanks to the charismatic performance of Johnson, the film is winsome and uplifting. Johnson's comic timing and straight-man face are spot-on, as is his warm chemistry with the sweet-faced Pettis. Also giving notable performances are the lovely Roselyn Sanchez as Peyton's ballet teacher, and Kyra Sedgwick as Kingman's hard-nosed agent who's aghast at the appearance of an out-of-wedlock child. Children and adults both can enjoy the movie's warm-and-fuzzy moral of making f! amily where you find it--or where it finds you. --A.T. Hurl! ey

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen
Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!