Easy Money

• Game board, money pad, 24 property cards
• 2 dice, houses, 4 pawns, instructions
• Streamlined real-estate game
• Fast-paced, easy to learn

Rodney Dangerfield gets a load of respectand a chunk of changein Easy Money! Joined byJoe Pesci and Jennifer Jason Leigh, Dangerfield is outrageous as a working-class buffoon who takes on the first-class tycoons in this million-dollar comedy!Monty Capuletti (Dangerfield) has everything money can't buya loving wife, two devoted daughtersand a few things it can: he drinks, smokes, gambles and eats way too much! But Monty couldn't be happier especially when he learns that his mother-in-law has left him a hefty inheritance. There's just one catch: according to the will, he must turn his vices into virtues before he can turn his windfall into cold, hard cash! Now, themisbehaving Monty will have to put the brakes on the binging and trade his! lifestyle for a LifecycleÂ(r), or lose his one shot at the family fortuneforever!Disc 1: Easy Money WP Disc 2: Back to School WPEasy Money (1983, Rated R, 95 Minutes): To inherit his mother-in-law's colossal fortune, a hard living, gambling addict must change his unhealthy ways before it gets the best of him.

Throw Momma From the Train (1987, Rated Pg-13, 88 Minutes): A bitter ex-husband. A put upon momma's boy. Both want their respective spouse and mother dead, but who will pull it off?

Blame It On Rio (1984, Rated R, 100 Minutes): Two men vacation together with their teenage daughters only to be caught up in a love triangle.

The Woman In Red (1984, Rated PG-13, 87 Minutes): On his way to work, Teddy spots Charlotte â€" an incredibly beautiful Woman in Red. He really wants to meet her, but what would his wife say?This double-feature contains two of your favorite comedies from the 80s! Films include: Easy Money and Throw Momm! a from the Train.

Easy Money (1983, Rated R,! 95 minu tes): Easy Money stars Rodney Dangerfield as Monty Capoletti, the black sheep of a prominent family. Nothing can curb Monty's drinking, gluttony, gambling, smoking, or general carousing. Nothing, that is, except the possibility of inheriting millions from his mother-in-law (Geraldine Fitzgerald). For one whole year, Monty must clean up his act. Can he do it?

Throw Momma From The Train (1987, Rated PG-13, 88 minutes): A bitter ex-husband. A put upon Momma's boy. Both want their respective spouse and mother dead, but who will pull it off? Stars Danny DeVito and Billy Crystal.

From one of Sweden’s most successful defense lawyers comes an unflinching look at Stockholm’s underworld, told from the perspective of the mob bosses, the patsies, and the thugs who help operate its twisted justice system.
 
JW is a student having trouble keeping up appearances in the rich party crowd he has involved himself with. He’s desperate for money, and when h! e’s offered a job dealing drugs to the very crowd he’s vying for a place in, he accepts it. Meanwhile, Jorge, a young Latino drug dealer, has just broken out of jail and is itching for revenge. When JW’s supplier gets wind of Jorge’s escape, he suggests JW track him down and attempt to win his trust in order to cover more area in the drug circuit. But JW’s not the only one on Jorge’s trail: Mrado, the brutal muscle behind the Yugoslavian mob boss whose goons were the ones who ratted Jorge out to the cops, is also on the hunt. But like everyone else, he’s tired of being a mere pawn in an impossibly risky game, and he’s seeking to carve out a niche of his own. As the paths of these antiheroes intertwine further, they find themselves mercilessly pitted against one another in a world where allegiances are hard-won, revenge is hard-fought, and a way out of it all is even harder to come by.
 
Fast and intricately paced, and with pitch-perfect dialogue, E! asy Money is a raw, dark, and intelligent crime novel that! has cat apulted Jens Lapidus into the company of Sweden’s most acclaimed crime writers.

In Easy Money, you'll buy, sell, build, borrow, bank and mortgage. Your objective is to collect the most money in cash and property value. Includes game board, give and take cards, playing pieces, colored houses, dice, tray, instructions and play money. For 2-4 players.

Home Alone Collection [Blu-ray]

• Condition: New
• Format: Blu-ray
• Color; Widescreen

Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the scree! n during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh Home Alone
Home Alone 2: Lost in New York
Home Alone 3
Home Alone 4Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinse! l and holly. Two bumbling burglars are trying to break in, an! d Kevin' s rigging a bewildering battery of booby traps to welcome them!Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, b! ut the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh Contains Home Alone and Home Alone 2: Lost in New York

Frailty

• DVD Details: Actors: Luke Askew, Brad Berryhill, Powers Boothe, Vincent Chase, Derk Cheetwood
• Directors: Bill Paxton
• Format: Anamorphic, Closed-captioned, Color, DVD, Widescreen, NTSC Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 1.85:1; Number of discs: 1; Studio: Lions Gate
• DVD Release Date: September 17, 2002; Run Time: 100 minutes

Fenton Meiks arrives at an FBI office with information about the God's Hands killer, a religious fanatic who thinks he is on a mission from God to rid the world of \demons" posing as humans; Fenton believes that his father and now his brother are the killers.
Genre: Horror
Rating: R
Release Date: 17-SEP-2002
Media Type: DVD"""Steeped in gloomy atmosphere, Frailty locates its horror in the tyranny of religious fanaticism. Making an assured directorial debut, actor Bill Paxton c! ostars as a Texas widower who believes God has recruited him to destroy demons in human form. Feeling divinely justified in committing a series of ax murders (discreetly unseen), he urges his two young sons to assist him in the killings--a living nightmare recalled in flashback by one of the now-adult sons (Matthew McConaughey) to the FBI agent (Powers Boothe) who's investigating the murders. But mystery is of secondary importance in Brent Hanley's cleverly twisting screenplay; Frailty suggests, with unsettling subtlety, that Paxton's mission may not be delusional, thus burdening his deadly wrath with spiritually disturbing significance. It's definitely not a feel-good film, but with celebrity endorsements by Stephen King and directors James Cameron and Sam Raimi (who both made films with Paxton), Frailty gets under the skin with insidious efficiency. --Jeff Shannon

The Adventures of Rocky and Bullwinkle & Friends ~ Fractured Fairy

• Limited edition!
• Very collectable!
• Born April 9, 2000
• Surface washable
• Retired!

Watch out American television viewers! Rocky and Bullwinkle do battle against Boris Badenov's band of TV antennae-eating rodents. Full color.Bullwinkle J. Moose has the world's largest collection of box tops, which makes him the prime suspect when someone starts redeeming counterfeit box tops for goodies in the stores.ADVENTURES OF ROCKY AND BULLWINKLE - DVD MovieThe problem with live-action movies based on beloved cartoon characters is that humans are never as flexible, as unpredictable, or just plain as goofy as their animated counterparts. So it is with this blend of animation and live action. Rocky and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fearless Leader (Robert De Niro! ), are transformed from cartoons to human reproductions when they escape from rerun land. They've come to our world to take it over; the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterized Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander, and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialized. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall FineMost of the tape is devoted to the misadventures of that sterling hero, Dudley Do-Right of the RCMP. In one cartoon, Dudley, Snidely Whiplash, Nell, and Inspector Fenwick succumb to the show-biz bug and! form a vaudeville act. Even funnier is Snidely confessing to! having "a thing" about tying ladies to railroad tracks. He's ready to give himself up, but Nell defends him in a courtroom performance that Portia might envy. Rounding out the program is a visit to the first Mountie by Sherman and Mr. Peabody, Aesop and Son's retelling of "The Hound and the Wolf," and the Fractured Fairy Tale of "The Frog Prince." Rocky and Bullwinkle make only cameo appearances in this collection that includes Mr. Know-It-All explaining how to be a stuntman--er, moose. Also, Bullwinkle enacts "Simple Simon" with Boris as the pie man, but the nursery rhyme quickly degenerates into a variation on Abbot and Costello's "Who's on First" routine. The Jay Ward cartoons are always fun to watch, but at 39 minutes, this tape seems a bit brief. Fans who watch credits may not realize that executive producer "Ponsonby Britt" never existed: Ward and Bill Scott needed one at some point, so they made him up. --Charles SolomonIn order to steal a priceless coll! ection of art masterpieces from a Paris museum, archvillains Boris and Natasha fold the unframed paintings up, put them in a small package, and mail them to a certain moose in Frostbite Falls, Minnesota--figuring that only Bullwinkle would be stupid enough to sell them the paintings back. Ah, the classic world of Jay Ward animation! The compilation Painting Theft demonstrates what makes Rocky & Bullwinkle unique among cartoons: their elaborate, episodic storytelling. Warner Bros. and Hanna-Barbera cartoons relied almost exclusively on single situations and freewheeling slapstick, but Rocky & Bullwinkle stories stretched on and on, with snaky, absurd twists. Not only did this allow the animators to come up with a wide variety of jokes and puns (terrible, terrible puns), but it also let them delight in the sheer joys of storytelling--how rapidly and deliriously they could gallop from one silly circumstance to the next. Even the shorter cartoons (Dudley Do-Right, Peabo! dy's Improbable History, and Fractured Fairy Tales) are packed! with wi ld reversals and ridiculous turns. Plus, they used some superb voice talent (including Edward Everett Horton, a great character actor best known for supporting roles in Fred Astaire and Ginger Rogers musicals), and had an eye for sneaky satire of the adult world--as can be seen when Bullwinkle's whitewashed canvases spark an insane bidding war in the art world. Rocky & Bullwinkle are a consistent pleasure. --Bret FetzerThe problem with live-action movies based on beloved cartoon characters is that humans are never as flexible, as unpredictable, or just plain as goofy as their animated counterparts. So it is with this blend of animation and live action. Rocky and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fearless Leader (Robert De Niro), are transformed from cartoons to human reproductions when they escape from rerun land. They've come to our world to take it over;! the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterized Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander, and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialized. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall FineFractured Fairy is part of the Adventures of Rocky and Bullwinkle. She wears a blue dress & hat and carries a yellow star wand.

A Brilliant Solution: Inventing the American Constitution

• ISBN13: 9780156028721
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

American Sign Language is a rich and complex language. Recently declared as an official language and recognized by 48 states as a foreign language, more and more high school teachers across the country are teaching American Sign Language as an elective.

 

Learning American Sign Language: Levels I & II â€" Beginning &Intermediate is designed to prepare teachers to successfullyinteract with American Sign Language (ASL) users. Lessons are structured around language needed for common-life situations, and examples are presented in the form of dialogues coupled with grammar and vocabulary instruction. Information is also include! d about the culture of deaf people in the United States.

 

Learners will discover that the book:

• Contains lessons designed around the conversational language needed for common life situations.
• Illustrates hundreds of sentences and vocabulary with over 2,000 high quality colorized drawings that aid in study and memory.
• Contains over 100 grammar and cultural notes, 72 exercises, and charts of the American Manual Alphabet (Finger spelling) and ASL number system.
• Teaches the rules of ASL in a natural order that is predictable and compatible with everyday language of native users of American Sign Language.
• Incorporates information about the cultural lives of Deaf people in the United States.
• Is supported by a video demonstrating all the conversations and important structures in the text.

Order the Video!

Vid! eo to Accompany American Sign Language, 2/e
Order No. 0! -205-275 54-0

American Sign Language students will find themselves captivated and entertained by this state-of-the-art Video that presents all 72 dialogues and each key structure from the text in a clear and natural way. Four internationally known Deaf actors animate the dialogues bringing life to the illustrations in the text allowing students to preview and review instructional materials at home to enhance their classroom learning.

 

About the authors:

Tom Humphries is Associate Director of the Teacher Education Program and also teaches in the Department of Communication at the University of California, San Diego. He is currently coordinating a program to train teachers of deaf children using a bilingual approach. Prior to this he taught at Gallaudet University in the Department of English for several years and later served as an Associate Dean for the San Di! ego Community College District where he coordinated the development of an ASL program and an interpreter-training program. He holds a Ph.D. in Cross Cultural Communication and Language Learning. Dr. Humphries is co-author with Carol Padden of Deaf in America: Voices from a Culture and several other books and articles related to ASL and the culture of Deaf people.

Carol Padden is a Professor in the Department of Communication at the University of California, San Diego where she teachers courses on language, culture and media. She is a graduate of Georgetown University and received a Ph.D. in Linguistics from the University of California, San Diego. Her recent research includes studies of reading development in young deaf children and she has written extensively about the cultural lives of Deaf people in the United States. She received a John Simon Guggenheim Fellowship, in addition to numerous other awards and grants for her work! . In addition to the books she has co-authored with Tom Humphr! ies, she has published several other books and articles on American Sign Language structure. Humphries & Padden (Learning American Sign Language, 2e).

A rich narrative portrait of post-revolutionary America and the men who shaped its political future

 

Though the American Revolution is widely recognized as our nation's founding story, the years immediately following the warâ€"when our government was a disaster and the country was in a terrible crisisâ€"were in fact the most crucial in establishing the country's independence. The group of men who traveled to Philadelphia in the summer of 1787 had no idea what kind of history their meeting would make. But all their ideas, arguments, and compromisesâ€"from the creation of the Constitution itself, article by article, to the insistence that it remain a living, evolving documentâ€"laid the foundation for a government that has surpassed the founders' greatest hopes. Revisiting all the original historical! documents of the period and drawing from her deep knowledge of eighteenth-century politics, Carol Berkin opens up the hearts and minds of America's founders, revealing the issues they faced, the times they lived in, and their humble expectations of success."The majority of historians seem to suggest that the founders knew just what to do--and did it, creating a government that would endure for centuries," writes CUNY historian Carol Berkin in the introduction to A Brilliant Solution. Sitting atop the pedestals we've placed them on, these figures would be "amused" by such notions, she says, because in reality the Constitutional Convention was gripped by "a near-paranoid fear of conspiracies" and might easily have succumbed to "a collective anxiety" over its daunting task. The story of the birth of the U.S. Constitution has been told many times, perhaps best by Catherine Drinker Bowen in Miracle at Philadelphia. Berkin's rendition of these well-known events is ! clear and concise. It does a bit more telling than showing, bu! t this s eems to be in the service of brevity--the main text is only about 200 pages. (Another 100 pages of useful appendices follow, including the full texts of the Articles of Confederation and the Constitution, plus short biographies of all the convention delegates.) Berkin is an opinionated narrator, unafraid, for instance, to call Maryland's Luther Martin "determinedly uncouth." She also points out that American government has evolved in ways that would make the founders cringe: they believed the presidency would be a ceremonial office (rather than the locus of the nation's political power) and that political parties were bad (when, in fact, they have served democracy well). Readers who want a sure-footed introduction to America's founding would do well to start here. --John J. Miller

Anchorman: The Legend of Ron Burgundy (Unrated Rich Mahogany Edition) [Blu-ray]

• Anchorman...in Hi-Def!
• Exclusive Packaging
• 12 Limited Issue Trading Cards
• 32-Page Diary

Will Ferrel (Old School, Elf) is Ron Burgundy, a top-rated 1970's San Diego anchorman who believes women have a place in the newsroom - as long as they stick to covering fashion shows or late-breaking cooking stories. So when ron is told he'll be working with a bright young newswoman (Christina Applegate) who's beautiful, ambitious and smart enough to be more than eye candy, it's not just a clash of two TV people with really great hair - it's war! Filled with wicked wit and slapstick humor, Anchorman is the year's most wildly irreverent, must-see comedy hit!Will Farrell followed up his star-making vehicle Elf, which matched his fine-tuned comic obliviousness to a sweet sincerity, with a more arrogant variation on the same character: Ron Burgundy, a ! macho, narcissistic news anchor from the 1970s. Along with his news posse--roving reporter Brian Fantana (Paul Rudd, Clueless), sports guy Champ Kind (David Koechner), and dim-bulb weatherman Brick Tamland (Steve Carell, Bruce Almighty)--Burgundy rules the roost in San Diego, fawned upon by groupies and supported by a weary producer (Fred Willard, Best In Show) who tolerates Burgundy's ego because of good ratings. But when Veronica Corningstone (Christina Applegate, View from the Top) arrives with ambitions to become an anchor herself, she threatens the male-dominated newsroom. Anchorman has plenty of funny material, but it's as if Farrell couldn't decide what he really wanted to mock, and so took smart-ass cracks at everything in sight. Still, there are moments of inspired delirium. --Bret FetzerWill Ferrel (Old School, Elf) is Ron Burgundy, a top-rated 1970's San Diego anchorman who believes women have a place in! the newsroom - as long as they stick to covering fashion show! s or lat e-breaking cooking stories. So when ron is told he'll be working with a bright young newswoman (Christina Applegate) who's beautiful, ambitious and smart enough to be more than eye candy, it's not just a clash of two TV people with really great hair - it's war! Filled with wicked wit and slapstick humor, Anchorman is the year's most wildly irreverent, must-see comedy hit!Will Farrell followed up his star-making vehicle Elf, which matched his fine-tuned comic obliviousness to a sweet sincerity, with a more arrogant variation on the same character: Ron Burgundy, a macho, narcissistic news anchor from the 1970s. Along with his news posse--roving reporter Brian Fantana (Paul Rudd, Clueless), sports guy Champ Kind (David Koechner), and dim-bulb weatherman Brick Tamland (Steve Carell, Bruce Almighty)--Burgundy rules the roost in San Diego, fawned upon by groupies and supported by a weary producer (Fred Willard, Best In Show) who tolerates Burgundy's ego! because of good ratings. But when Veronica Corningstone (Christina Applegate, View from the Top) arrives with ambitions to become an anchor herself, she threatens the male-dominated newsroom. Anchorman has plenty of funny material, but it's as if Farrell couldn't decide what he really wanted to mock, and so took smart-ass cracks at everything in sight. Still, there are moments of inspired delirium. --Bret FetzerIts the 70s & ron burgundy is the king of san diego - the most popular anchorman in town. In rons world women dont belong in the newsroom unless theyre doing cooking segments. So when rising star reporter veronice corningstone fills in for ro one night & ratings soar it makes him think. And thats not easy! Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Will Ferrell Vince Vaughn Run time: 103 minutes Rating: UrWill Farrell followed up his star-making vehicle Elf, which matched his fine-tuned comic obliviousness to a s! weet sincerity, with a more arrogant variation on the same cha! racter: Ron Burgundy, a macho, narcissistic news anchor from the 1970s. Along with his news posse--roving reporter Brian Fantana (Paul Rudd, Clueless), sports guy Champ Kind (David Koechner), and dim-bulb weatherman Brick Tamland (Steve Carell, Bruce Almighty)--Burgundy rules the roost in San Diego, fawned upon by groupies and supported by a weary producer (Fred Willard, Best In Show) who tolerates Burgundy's ego because of good ratings. But when Veronica Corningstone (Christina Applegate, View from the Top) arrives with ambitions to become an anchor herself, she threatens the male-dominated newsroom. Anchorman has plenty of funny material, but it's as if Farrell couldn't decide what he really wanted to mock, and so took smart-ass cracks at everything in sight. Still, there are moments of inspired delirium. --Bret FetzerANCHORMAN:LEGEND OF RON BURGUNDY - DVD MovieWill Farrell followed up his star-making vehicle Elf, which matched his ! fine-tuned comic obliviousness to a sweet sincerity, with a more arrogant variation on the same character: Ron Burgundy, a macho, narcissistic news anchor from the 1970s. Along with his news posse--roving reporter Brian Fantana (Paul Rudd, Clueless), sports guy Champ Kind (David Koechner), and dim-bulb weatherman Brick Tamland (Steve Carell, Bruce Almighty)--Burgundy rules the roost in San Diego, fawned upon by groupies and supported by a weary producer (Fred Willard, Best In Show) who tolerates Burgundy's ego because of good ratings. But when Veronica Corningstone (Christina Applegate, View from the Top) arrives with ambitions to become an anchor herself, she threatens the male-dominated newsroom. Anchorman has plenty of funny material, but it's as if Farrell couldn't decide what he really wanted to mock, and so took smart-ass cracks at everything in sight. Still, there are moments of inspired delirium. --Bret FetzerWill Ferrell is! Ron Burgundy, San Diego's most important new anchor! Featurin! g Steve Carell (TV's "The Office", "Date Night"), Paul Rudd ("Role Models", "The 40-Year-Old Virgin"), David Koechner (TV's "The Office"), Christina Applegate ("Married with Children) and produced by Judd Apatow ("Funny People"), ANCHORMAN will wake you up like never before! This exclusive Blu-ray version features limited issue packaging, a 32-page journal and 12 trading cards!

Freddy's Dead The Final Nightmare - Robert Englund - Movie Photo Print

• Movie Photo Print
• New and Unused
• Great For Framing
• Ideal As A Gift

"Don’t fall asleep" -- words to live by for Elm Street teens. Not a problem for fans wide awake with fear (and glee) as they experience these first 8 Nightmare movies released from 1984 to 2003. Each features Robert Englund's masterfully macabre incarnation of slouch-hatted, razor-fingered Freddy Krueger, who mixes wicked wit with even wickeder mayhem as he haunts teens when they’re asleep and most vulnerable. A newspaper article about children who died after having fearsome nightmares provided the real-life springboard for filmmaker Wes Craven’s breakthrough series. Perhaps that underlying reality helps make these shockers so unnerving. Or maybe it’s just that we all like a good scare…and that this series consistently, imaginatively delivers some of the best.

Disc 1 â€" A Nightmare on Elm! Street - Includes: Commentary by Director Wes Craven, Co-Stars Heather Langenkamp and John Saxon and Cinematographer Jacques Haitkin Cast/Crew Biographies Jump to a Nightmare

Disc 2 â€" A Nightmare on Elm Street 2: Freddy’s Revenge - Includes: Cast/Crew Biographies Jump to a Nightmare

Disc 3â€" A Nightmare on Elm Street 3: Dream Warriors - Includes: Cast/Crew Biographies Jump to a Nightmare

Disc 4â€" A Nightmare on Elm Street 4: The Dream Master - Includes: Cast/Crew Biographies Jump to a Nightmare

Disc 5â€" A Nightmare on Elm Street 5: The Dream Child - Includes: Cast/Crew Biographies Jump to a Nightmare

Disc 6â€" Freddy’s Dead: The Final Nightmare - Includes: Original 3-D End Sequence Cast/Crew Biographies Jump to a Nightmare

Disc 7 â€" Wes Craven’s New Nightmare - Includes: Commentary by Wes Craven Cast/Crew Biographies Jump to a Nightmare

Disc 8 â€" Freddy Vs. Jason - Includes: Commentary by Director Ronny Yu, Robert Englund (Freddy) a! nd Ken Kirzinger (Jason) Jump to a DeathIn the trinity of mode! rn horro r films, there's the father (Michael Myers of Halloween), the son (Jason of Friday the13th fame, a knockoff), and the unholy spirit, Freddy Krueger of the Nightmare on Elm Street films. The spectral man who haunted the nightmares of unsuspecting teenagers with deadly consequences, Freddy (as played by Robert Englund) was a truly frightening bogeyman and icon for the '80s. Unlike the hockey-masked Jason, who dispatched horny teenagers with mechanical and monotonous ease (he never talked, never took off his mask), Freddy was a truly creative and diabolical villain, with a sadistic and blackly funny personality. The hallmarks of the Nightmare on Elm Street series were imaginatively gruesome suspense pieces, set in the overactive imaginations of the teen victims. The first film of the series, Wes Craven's truly intelligent and scary film, was so hugely successful it begat not one, not two, but six more sequels, each pretty much diluting the ori! ginality and horror of its predecesor. (Horror fans will fondly remember Drew Barrymore's assertion in Scream that the first Nightmare film was great but all the rest sucked.) Still, there's fun to be had in the remaining films in the series, seeing as a number of aspiring filmmakers cut their teeth on the continuing saga of Freddy. Frank Darabont (The Shawshank Redemption) and Chuck Russell (The Mask) worked on the third installment, Dream Warriors (starring a young Patricia Arquette), and Renny Harlin (Die Hard 2) came to prominence with the ingeniously macabre fourth film, The Dream Master, coscripted by Brian Helgeland (L.A. Confidential). Craven and original star Heather Langenkamp did return for the last film, New Nightmare, which presaged the tongue-in-cheek postmodernism of the Scream films and resharpened Freddy's ability to scare. --Mark EnglehartFreddy, a monstrous mass murderer, makes h! is last appearance in the dreams of the teenagers he stalks. S! equel to "The Dream Child."Movie Photo Print
Measures 8" x 10" (inches)
New and unused and will be shipped to you packed in plastic and then shipped securely.

The Voyage of La Amistad: A Quest for Freedom

• On the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international law. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on

An epic journey of one mans fight for his life and his freedom. This story of courage and determination is presented by a director whose vision goes to the heart of the story and the soul of its characters. Once again steven spielberg has created a film event that will never be forgotten. Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Morgan Freeman Djimon Hounsou Run time: 155 minutes Rating: R Director: Steven SpielbergSteven Spielberg's most simplistic, sanitized history les! son, Amistad, explores the symbolic 1840s trials of 53 West Africans following their bloody rebellion aboard a slave ship. For most of Schindler's List (and, later, Saving Private Ryan) Spielberg restrains himself from the sweeping narrative and technical flourishes that make him one of our most entertaining and manipulative directors. Here, he doesn't even bother trying, succumbing to his driving need to entertain with beautiful images and contrived emotion. He cheapens his grandiose motives and simplifies slavery, treating it as cut- and-dry genre piece. Characters are easy Hollywood stereotypes--"villains" like the Spanish sailors or zealous abolitionists are drawn one-dimensionally and sneered upon. And Spielberg can't suppress his gifted eye, undercutting normally ugly sequences, such as the terrifying slave passage, which is shot as a gorgeous, well-lit composition. At its core, Amistad is a traditional courtroom drama, centered by ! a tired, clichéd narrative: a struggling, idealistic young l! awyer (M atthew McConaughey) fighting the crooked political system and saving helpless victims. Worse yet, Spielberg actually takes the underlying premise of his childhood fantasy, E.T. and repackages it for slavery. Cinque (Djimon Hounsou), the leader of the West African rebellion, is presented much like the adorable alien: lost, lacking a common language, and trying to find his way home. McConaughey is a grown-up Elliot who tries communicating complicated ideas such as geography by drawing pictures in the sand or language by having Cinque mimic his facial expressions. Such stuff was effective for a sci-fi fantasy about the communication barriers between a boy and a lost alien; here, it seems like a naive view of real, complex history. --Dave McCoyOn the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international l! aw. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on a zigzag course, La Amistad was finally captured at Long Island, New York, where the Africans were jailed and charged with piracy and murder.