Friday, November 4, 2011

Cradle Will Rock

  • As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w
Powerful and sweeping, the critically acclaimed CRADLE WILL ROCK, starring Hank Azaria, Joan Cusack, John Cusack, Bill Murray, and Susan Sarandon, takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets, director Tim Robbins (DEAD MAN WALKING) brings Depression-era New York City to vivid life. It's a time when DaVincis are given to millionaires who help fund the Mussolini war effort and Nelson Rockefeller commissions Mexican artist Diego Rive! ra to paint the lobby of Rockefeller Center. A time when a young Orson Welles and a troupe of passionate actors risk everything to perform the infamous musical "The Cradle Will Rock." As threats to their freedom and livelihood loom larger, they refuse to give into censorship. Based on actual events, CRADLE WILL ROCK will move you."Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightnin! g strikes when the government closes the show before it even o! pens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker

Hide And Seek Safari -Monkey

  • No limit to the number of wands and animals that can be used together
  • Hide the animal and use the wand to locate it
  • 21st century version of "Hotter, Colder"
  • Ages 5 and up
  • Batteries included
Robert De Niro and Dakota Fanning keep pulses pounding and hearts racing in this chilling horror hit about a troubled father and daughter tormented by someone â€" or something â€" named Charlie, a malevolent entity who may or may not be "imaginary" but is definitely the stuff nightmares are made of!Dakota Fanning--the elfin star of Uptown Girls, The Cat in the Hat, and Man on Fire--trades in her blond locks for a semi-gothic brunette do in Hide and Seek. Fanning plays Emily, a young girl whose mother commits suicide. To help Emily through the trauma, her father David (Robert DeNiro), a psychologist, takes her to an isolated house in upstate New Yo! rk. But instead of healing, Emily gets dark circles under her eyes, mutilates her favorite doll, and develops an imaginary friend named Charlie. In no time at all, things get spooky and David suspects this imaginary friend isn't so friendly. Hide and Seek owes a lot to The Shining, but whether the creepiness is borrowed or not, there's a decent dose of it (though the twist at the end is unlikely to surprise many viewers). DeNiro does his job with professional gloss, but Fanning carries the movie; she's got the kind of charisma that goes beyond acting ability--that ineffable glow that makes an audience want to watch her. Hide and Seek also features Famke Janssen (X-Men), Elisabeth Shue (Leaving Las Vegas), and the ever-dependable Dylan Baker (Happiness). --Bret FetzerBut payback has its price, and the Sisterhood's last assignment almost landed them in jail. Now the women are fugitives with a bounty on their heads, but they're ! not planning on hiding out for long-not when good friends need! the kin d of help only they can give.Robert De Niro and Dakota Fanning keep pulses pounding and hearts racing in this chilling horror hit about a troubled father and daughter tormented by someone ? or something ? named Charlie, a malevolent entity who may or may not be ?imaginary? but is definitely the stuff nightmares are made of!Dakota Fanning--the elfin star of Uptown Girls, The Cat in the Hat, and Man on Fire--trades in her blond locks for a semi-gothic brunette do in Hide and Seek. Fanning plays Emily, a young girl whose mother commits suicide. To help Emily through the trauma, her father David (Robert DeNiro), a psychologist, takes her to an isolated house in upstate New York. But instead of healing, Emily gets dark circles under her eyes, mutilates her favorite doll, and develops an imaginary friend named Charlie. In no time at all, things get spooky and David suspects this imaginary friend isn't so friendly. Hide and Seek owes a lot to T! he Shining, but whether the creepiness is borrowed or not, there's a decent dose of it (though the twist at the end is unlikely to surprise many viewers). DeNiro does his job with professional gloss, but Fanning carries the movie; she's got the kind of charisma that goes beyond acting ability--that ineffable glow that makes an audience want to watch her. Hide and Seek also features Famke Janssen (X-Men), Elisabeth Shue (Leaving Las Vegas), and the ever-dependable Dylan Baker (Happiness). --Bret FetzerIntroducing the Hide & Seek Safari Monkey. The folks at R & R Games have brought the childhood classic "Hotter, Colder" into the 21st Century. An all new animal for use alone or with the other Hide & Seek animals. Use the Seeker wand to track down and catch this elusive Monkey. Lights flash to show you're getting warmer and the Seeker will sound when the Monkey is near! Requires one 9V and two "AA" batteries, included.

Gerber 45803 Guardian Back Up, Double Edge, Fine Edge Knife

  • Double-edge blade
  • Non-reflective black blade coating
  • Adjustable withdraw tension sheath
  • Overall Length: 7.28", Length of Blade: 3.41"
  • Weight: 3 oz.

Dream-Hunter Lydia has been charged with the most sacred and dangerous of missions: To descend into the Nether Realm and find the missing god of dreams before he betrays the secrets that could kill her and her kind. What she never expects is to be taken prisoner by the Realm’s most vicious guardian…

Seth’s time is running out. If he can’t hand over the entrance to Olympus, his own life and those of his people will be forfeit. No matter the torture, Seth hasn’t been able to break the god in his custody. Then there’s the beautiful Dream-Hunter Lydia: She isn’t just guarding the gates of Olympusâ€"she’s holding back one of the world’s darkest powers. If she fails, an ancient curse ! will haunt the earth once more and no one will be safe. But evil is always seductive...

KNIFE, GUARDIAN BACK UP, DOUBLE EDGE

A professional fixed blade knife that takes a mighty serious cut at self defense, the Gerber 45803 Guardian Back Up features blackened--and therefore non-reflective--stainless steel in a 3/4" tang blade. Lightweight and compact, it's effortless to carry and agile to use. The Santoprene-covered nylon handle, and it comes with a patented sheath that lets you adjust the withdraw tension to suit your individual style. Clip it to your boot or belt or your strap, and you'll never be without a reliable back-up.

The double fine-edged, spear-style blade is constructed of high carbon stainless steel and has a fine tip. The blade measures 3.41 inches and it has an overall length of 7.28 inches and a 3-ounce weight. Made in the USA. Backed by a limited lifetime warranty.

 

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Gerber 45803 Guardian Back Up
The Gerber Guardian Back Up with aggressive lines and matte black paint job (view larger).
At a Glance
Gerber 45803 Guardian Back Up
At a Glance:
  • Aggressive lines and matte black paint job

  • Blackened, non-reflective high carbon stainless steel blade

  • Santoprene-covered nylon with soft grip inserts

  • Patented sheath with adjustable withdraw tension

  • Limited lifetime warranty
At a Glance

Suspense Collection (Seven/Heat/Insomnia/The Devil's Advocate)

  • 4 FILM FAVORITES: SUSPENSE COLLECTION (DVD MOVIE)
DEVIL'S ADVOCATE - DVD MovieToo old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of the story as a twist on John Grisham's The Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, g! leefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds, Dolores Claiborne). --Jim EmersonHotshot attorney accepts tempting offer from an elite New York law firm only to find himself fighting for his soul.
Genre: Suspense
Rating: R
Release Date: 7-SEP-2004
Media Type: DVDToo old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of ! the story as a twist on John Grisham's The Firm, with t! he corpo rate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds, Dolores Claiborne). --Jim EmersonHeat, Seven, The Devil's Advocate, Insomnia HEAT INCLUDES: • Widescreen Format [16x9 2.4:1] • Theatrical Trailers • Languages & Subtitles: English & Français (Main Feature. Bonus Material/Trailer May Not Be Subtitled). SE7EN INCLUDES: • Widescreen Format [16x9 2.4:1] • Cast Biographies/Filmographies • Subtitles: English, Français & Español. THE DEVIL’S ADVOCATE INCLUDES: • Widescreen Format [16x9 2.4:1] • Commentary by Director Taylor Hackford • Over 30 Minutes of Deleted Scenes • Production Notes • Theatrical Trailers & TV Spots • Languages: English & Fran! çais • Subtitles: English, Français & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled). INSOMNIA INCLUDES: • Widescreen Format [16x9 2.4:1] • Additional Scene • 2 Commentaries: • Director Christopher Nolan (Commentary in Order of Shooting Sequence) • Hilary Swank, Production Designer Nathan Crowley, Editor Dody Dorn, Cinematographer Wally Pfister and Screenwriter Hillary Seitz • 4 Featurettes: • Day for Night: Making the Movie • 180°: A Conversation with Christopher Nolan and Al Pacino • In the Fog: Cinemtography and Production Design • Eyes Wide Open: The Insomniac’s World • Stills Gallery • Theatrical Trailer • Languages: English & Français (Dubbed in Quebec) • Subtitles: English, Français & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled).