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• Outrageously funny and charged with explosive action, hot young comedy stars Eddie Griffin (Deuce Bigalow: Male Gigolo) and Orlando Jones (The Replacements) team up for a fast-paced adventure in the tradition of Blue Streak and Rush Hour. Framed in a multimillion-dollar money-laundering scheme, upstanding investment banker Daryl Chase (Jones) suddenly finds himself running from the FBI -- and swap

It's been more than six months since her husband's brutal death, and Julia Ransom is just beginning to breathe again. She loved her husband, renowned psychic August Ransom, but the media frenzy that followed his murder sapped what little strength she had left. Now, after dinner with friends, strolling along San Francisco's Pier 39, she realizes that she's happy. Standing at the railing, she savors the sounds around her-tourists, seals on a barge-and for a moment enjoys the sheer normalcy of it all. ! And then it comes to an end.

Out of nowhere she's approached by a respectable-looking man who distracts her with conversation before violently attacking her and throwing her the railing. If it hadn't been for Special Agent Cheney Stone, out to stretch his legs between courses at a local restaurant, Julia would have vanished into the bay's murky depths. Not only does he save her from a watery grave, but he senses a connection between her assault and her husband's death, and sets out to serve as her protector while reopening August Ransom's murder investigation.

Meanwhile, in Maestro, Virginia, Sheriff Dixon Noble-last seen in Point Blank-still mourns his wife, Christie, who vanished hree years earlier. His life, too, is just getting back to normal when he learns of a San Francisco woman named Charlotte Pallack, whose shocking resemblance to Christie sends Dix across the country. Though he knows in his heart that she can't possibly be his wife, Di! x is compelled to see her with his own eyes. Once in San Franc! isco, Di x and Cheney's paths inevitably cross. With the help of agents Dillon Savich and Lacey Sherlock, whose San Francisco connections prove essential in unlocking the mystery behind Charlotte Pallack's identity as well as the forces behind Julia Ransom's attempted murder, Sheriff Noble and Agent Stone push deep into a complex world of psychics and poseurs. As the stakes and the body count rise, Savich, Sherlock, Dix, and Cheney fight for answers-and their lives.Outrageously funny and charged with explosive action, hot young comedy stars Eddie Griffin (DEUCE BIGALOW: MALE GIGOLO) and Orlando Jones (THE REPLACEMENTS) team up for a fast-paced adventure in the tradition of BLUE STREAK and RUSH HOUR. Framed in a multimillion-dollar money-laundering scheme, upstanding investement banker Daryl Chase (Jones) suddenly finds himself running from the FBI -- and swapping identities with loudmouthed, low-life petty thief Freddy Tiffany (Griffin). Then, as he dashes for the Mexican border in s! earch of the one man who can clear his name, Daryl discovers his new alias is even more wanted than he is. With hilarious performances and nonstop excitement at every turn, buckle up for a riotous road trip as this wildly mismatched pair deliver the laughs in double time!For reasons that are still fuzzy even by the time final credits roll for Double Take, Wall Street hotshot Daryl Chase (Orlando Jones), framed for both financial wrongdoings and murder, heads to Mexico after exchanging identities with fast-talking Freddie (Eddie Griffin), who is either the key to his freedom or the engineer of his demise. The incomprehensible and supposedly madcap twists and turns that follow make mindless buddy flicks like Rush Hour seem giants of brainy plotting in comparison. The film even features one of those unintentionally hysterical moments in which the villain stops to explain the entire charade to characters who supposedly already know what's going on--and it still! doesn't make any sense. None of this would matter, of co! urse, if everything was propelled by some sort of internal screwball logic that had it playfully bouncing over its plot holes. But writer-director George Gallo can't streamline his potential assets--Jones's suave likeability and Griffin's take-no-prisoners crassness--into something that moves. Some of the throwaway comic asides work ("You keep campaigning for this ass-whuppin', you gonna get elected"), but every single one of the extended bits is painfully strained and overdone. Griffin, in particular, becomes desperately obnoxious, and saddling him with clumsy comments on race and social status in a comedy that is ultimately about neither doesn't help. Try 48 Hours instead. --Steve Wiecking

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