Saturday, December 31, 2011

Harold & Kumar Go to White Castle (Extreme Unrated Edition)

Breakfast at Tiffany's: A Short Novel and Three Stories (Modern Library)

  • ISBN13: 9780679600855
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Winner of two Oscars®, here's the romantic comedy that sparkles like diamonds! From the opening strains of Henry Mancini and Johnny Mercer's haunting, Oscar®-winning song "Moon River," you'll once again be under the alluring spell of that madcap, carefree New York playgirl known as Holly Golightly (Audrey Hepburn) in this 24-carat romantic comedy based on Truman Capote's best-selling novella. George Peppard is the struggling and "sponsored" young writer who finds himself swept into Holly's dizzying, delightfully unstructured lifestyle as she determinedly scours Manhattan for a suitable millionaire to marry. The sparkling special features on this Anniversary Edition DVD only add to the luster of dir! ector Blake Edwards' timeless film classic. Patricia Neal, Buddy Ebsen, Martin Balsam and Mickey Rooney co-star; Mancini won an additional Academy Award® for his enthralling musical score. No film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vul! nerability. Composer Henry Mancini earned Oscars for the hit s! ong "Moo n River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerA New York writer falls in love with an eccentric party girl named Holly Golightly; she is determined to marry a millionaire, but he puts a wrench in her plans.
Item Type: DVD Movie
Item Rating: NR
Street Date: 12/28/01
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Pa! ckaging: SleeveNo film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's d! emeaning performance as the apartment's Japanese manager, an o! ffensive ly overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker“I’m crazy about Tiffany’s...Nothing very bad could happen to you there!” For the first time ever, this meticulously restored screen gem is available on Blu-ray™. Holly Golightly (Audrey Hepburn) delights audiences as the carefree ingénue searching Manhattan for a dream millionaire to marry. George Peppard plays the struggling, “sponsored” young writer who gets swept away in Holly’s chaotic-yet-enchanting lifestyle. Directed by Blake Edwards (The Pink Panther, Victor/Victoria), this two-time Oscar®-winning film features Henry Mancini’s honored score*, as well as his and Johnny Mercer’s Academy Award®-! winning song, “Moon River.”

*Winner: Best Music â€" Music Score of a Dramatic or Comedy Picture, 1961. Winner: Best Music (Song), 1961.No film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry! Mancini earned Oscars for the hit song "Moon River" and his ! tasteful ly romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerContains:

Breakfast at Tiffany's
House of Flowers
A Diamond Guitar
A Christmas Memory

Appaloosa

  • In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this charac
In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this character-driven, bullet-hard Western based on Robert B. Parkers novel. Blood will spill in the town called Ap! paloosa.The Western has been an endangered species, on and off, for something like 40 years now. Welcome to Appaloosa, Ed Harris's film of the Robert B. Parker novel--first because it exists at all, but even more because Harris as star, director, and co-screenwriter (with Robert Knott) has managed to bring it to the screen with no hint of fuss or strain, as if the making of no-nonsense, copiously pleasurable Westerns were still something Hollywood did with regularity. Harris plays Virgil Cole, one of those ace gunfighter-lawmen whose name need only be mentioned to make a saloon go still. Cole and his shotgun-toting partner Everett Hitch (Viggo Mortensen) accept a commission to enforce law and order in the New Mexico town of Appaloosa. That basically means protect it from rapacious rancher Randall Bragg (Jeremy Irons, looking right at home on the range), who murdered the previous town marshal like swatting a fly. Life becomes complicated when, about the time Bragg h! as been jailed to await trial, a fancy-dressing piano player c! alling h erself Mrs. French (Renée Zellweger) steps down off the train. Cole commences to have feelings, and as he ruefully reminds Hitch, "Feelin's can get ya killed."

In his second directorial effort (following the 2000 biopic Pollock), Harris takes his cue from novelist Parker's often deadpan-comic touch, allowing action and character to accumulate in accordance with an overall eccentric rhythm. (The film's main disappointment is that it would benefit from more running time to allow things to stew a bit longer, especially in the second half.) The character work is choice, from the moment Tom Bower, James Gammon, and Timothy Spall step into view as Appaloosa's civic leaders; the director's father Bob Harris contributes a cameo as a mellifluous-tongued circuit judge, and an age-thickened Lance Henriksen turns up midfilm as gunman Ring Shelton, trailing affability and menace. In collaboration with Dances With Wolves cameraman Dean Semler, Harris sets up shots an! d scenes in such a way that we often see into and out of Appaloosa's various buildings simultaneously, to excellent dramatic and atmospheric effect, and there's a thrillingly vertical dynamics to a scene involving a train at an isolated water stop. The action is lethal when it needs to be, but never dwelt upon. "That was over quick," Hitch observes after one gun battle. Cole's response says it all: "Everybody could shoot." --Richard T. Jameson


The Horse Whisperer

  • After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches
No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 7-APR-1998Soundtracks can sometimes be disjointed affairs, lacking the cohesion necessary to create a mood when collecting songs from various artists. This is a pitfall the soundtrack from the forthcoming film The Horse Whisperer melodically and artfully avoids. From the first honest, unsentimental notes of Dwight Yoakam's "Cattle Call" you are taken ! wholeheartedly onto this wide-open prairie of soulful, plaintive music. The Horse Whisperer soundtrack is a fluid, coherent gathering of the most literate and distinctive voices in country music today, including Emmylou Harris, Steve Earle, Lucinda Williams, Gillian Welch, The Mavericks, Iris DeMent, and The Hill Country Flatlanders (featuring original Flatlanders Jimmie Dale Gilmore, Butch Hancock, and Joe Ely). This spare, haunting ensemble of wistful twangs and hopeful hearts is a must-have for any country collection. --Dominique D'Anna Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's despera! te mother (Thomas) puts her busy, big-city life on hold and tr! avels we st to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of h! ealing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's sought out by a fast-lane New York magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes! it a refreshing alternative to the frantic pace of most big-s! tudio pr oductions. --Jeff Shannon

Thursday, December 29, 2011

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen
Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!

Daddy Day Care (Special Edition)

  • TESTED
Daddy Day Care pals Charlie and Phil are back in this hilarious, all-new adventure: Daddy Day Camp! When the dads expand their childcare magic to Camp Driftwood - serving up sports, crafts and teaching the kids a thing or two about nature, they discover the camp has everything it needs except a plan to put the bullies of rival Camp Canola to shame. With some quick thinking, teamwork, a secret weapon and some off-the-wall crazy antics, the dads and kids unite to make sure Daddy Day Camp secures its rightful place in kid camp history!Hilarity reins when Daddy Day Care owners Charlie (Cuba Gooding Jr.) and Phil (Paul Rae) expand their business to include running a summer camp. Determined to provide their sons with a positive camp experience, Charlie and Phil visit their childhood Camp Driftwood only to find it dilapidated and on the brink of closure. Nursing ! an old rivalry with the neighboring Camp Canola and its director Lance (Lochlyn Munro), a former camp competitor from childhood, Charlie and Phil impulsively become partners in Camp Driftwood and find themselves with a month to create a thriving camp or risk foreclosure by the bank. The first few days are complete mayhem with exploding outhouses, poison ivy outbreaks, and bee stings galore and, against his own better judgment, a desperate Charlie calls in his father Colonel Buck Hinton (Richard Gant) of the Marines to help run the camp. While the two have very different visions of how to run a camp, the rivalry with Camp Canola unites them and slapstick humor reigns as the two camps engage in warfare that culminates in an Olympiad challenge that will reveal the shortcomings and dishonesty of Camp Canola's staff and students while showing Charlie the true value of family and teaching the entire Driftwood population some important lessons about honesty, believing in oneself! , and the power of doing one's best. Bonus features include a! "How I Spent My Summer: Making Daddy Day Camp" featurette with cast interviews as well as an interactive quiz about the featurette. Cuba Gooding Jr. replaces Eddie Murphy and Paul Rae replaces Jeff Garlin under the direction of Fred Savage in this sequel to Daddy Day Care, but Daddy Day Camp stands on its own as fun family entertainment for ages 3 and older. --Tami HoriuchiDaddy Day Care pals Charlie and Phil are back in this hilarious, all-new adventure: Daddy Day Camp! When the dads expand their childcare magic to Camp Driftwood - serving up sports, crafts and teaching the kids a thing or two about nature, they discover the camp has everything it needs except a plan to put the bullies of rival Camp Canola to shame. With some quick thinking, teamwork, a secret weapon and some off-the-wall crazy antics, the dads and kids unite to make sure Daddy Day Camp secures its rightful place in kid camp history!Hilarity reins when Daddy Day Care owners Charlie (Cuba Gooding Jr.) and Phil (Paul Rae) expand their business to include running a summer camp. Determined to provide their sons with a positive camp experience, Charlie and Phil visit their childhood Camp Driftwood only to find it dilapidated and on the brink of closure. Nursing an old rivalry with the neighboring Camp Canola and its director Lance (Lochlyn Munro), a former camp competitor from childhood, Charlie and Phil impulsively become partners in Camp Driftwood and find themselves with a month to create a thriving camp or risk foreclosure by the bank. The first few days are complete mayhem with exploding outhouses, poison ivy outbreaks, and bee stings galore and, against his own better judgment, a desperate Charlie calls in his father Colonel Buck Hinton (Richard Gant) of the Marines to help run the camp. While the two have very different visions of how to run a camp, the rivalry with Camp Canola unites them and slapstick humor reigns as the two ! camps engage in warfare that culminates in an Olympiad challen! ge that will reveal the shortcomings and dishonesty of Camp Canola's staff and students while showing Charlie the true value of family and teaching the entire Driftwood population some important lessons about honesty, believing in oneself, and the power of doing one's best. Bonus features include a "How I Spent My Summer: Making Daddy Day Camp" featurette with cast interviews as well as an interactive quiz about the featurette. Cuba Gooding Jr. replaces Eddie Murphy and Paul Rae replaces Jeff Garlin under the direction of Fred Savage in this sequel to Daddy Day Care, but Daddy Day Camp stands on its own as fun family entertainment for ages 3 and older. --Tami HoriuchiDVDThere are some good laughs to be found in Daddy Day Care, especially if you're a preschooler with energy to burn. This romper-room comedy shamelessly exploits its high concept idea--dropping Eddie Murphy into a seething den of rugrats--but kids will have plenty of vicarious fun as Murphy! and his fellow laid-off colleague (Jeff Garlin) battle unemployment by opening a day-care center in Eddie's home. In partial Witches mode, Anjelica Huston hams it up as a day-care competitor bent on closing Eddie down, while doofus extraordinaire Steve Zahn is recruited as a third partner in "Daddy Day Care," trying his best to entertain a pack of hyperactive kids who've stopped taking their Ritalin. Zahn makes a funny Star Trek fan (even when the script contains bogus Trekkie trivia), and Murphy deserves credit for giving his all in a comedy that mostly squanders his talent. Indeed, is Daddy Day Care a comedy or every parent's nightmare? Daring viewers can decide for themselves. --Jeff Shannon

Sunday, December 25, 2011

Die Hard Trilogy Includes Die Hard,Die Hard 2 Die Harder,and Die Hard With a Vengeance

  • DIE HARD
  • DIE HARD 2 DIE HARDER
  • DIE HARD WITH A VENGEANCE
  • BRUCE WILLIS
Die Hard
Bruce Willis stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.

Die Hard 2
Bruce Willis returns as the heroic cop who battles not only terrorists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terro! rist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!

Die Hard 3
The third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.

Live Free or Die Hard
"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Willis) delivers old-school justice to a new breed of terrorists when a massive computer attack on the U.S. infrastructure threatens t! o shut down the entire country over Independence Day weekend.Die Ha rd
is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and fur! ious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport whe! n he stumbles onto a plot to paralyze the entire airport, incl! uding al l the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, ! and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's s! tumbled into an assignment that's anything but routine. Once t! hat wrec kage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 ra! ting--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiContains: *Die Hard *Die Hard Bonus Disc *Die Hard 2: Die Harder *Die Hard 2: Die Harder Bonus Disc *Die Hard: With a Vengeance *Die Hard: With a Vengeance Bonus DiscDie Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Ha rd on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die H! ard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

! The third film in the series, Die Hard with a Vengeance (1995) , was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (! Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses. Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one! elements of the now-classic original movie. And it's the most! consist ently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiThe third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.The second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy! has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineThe second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoul! der. Some great action sequences, though they can't obscure th! e rather large plot holes in the film's final 45 minutes. --Marshall FineJohn McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who! are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somew! hat obscured--but there's still has plenty of action and a hig! h body c ount. Yippee-ki-ay! --David Horiuchi

Beyond Live Free or Die Hard


Live Free or Die Hard on Blu-Ray

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Stills from Live Free or Die Hard (click for larger image)

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Disc 1: **"Die Hard" Widescreen Feature with optional Commentary by director John McTiernan and production designer Jackson DeGovia **Additional scene-specific commentary by special effects supervisor Richard Edlund **Subtitled commentary by various cast and crew **Branching version with the extended power shutdown scene **DVD-ROM - script-to- screen comparison

Disc 2: **"Die Harder" Widescreen Feature **Directors commentary Disc 3: **"Die Hard with a Vengeance" Widescreen Feature **D! irectors commentary

Disc 4 Bonus Disc: **Inside Look: LIVE FREE OR DIE HARD **Wrong Guy, Wrong Place, Wrong Time: A Look Back At Die Hard **The Continuing Adventures of John McClane Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a ! bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but ! it's still an exciting thrill ride with some terrific action s! equences . One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy ! Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

The 2007 Die Hard Collection is a four-disc set that comes up short when compared to the previous six-disc Ultimate Collection , which is now out of print. That 2001 set had two discs for each film (plus, Die Hard was a Five Star Collection release). This set does away with all of the second discs, though it retains the features that were on the movie-only discs, including director commentaries and the seamlessly branched ver! sion of the first film with a scene added back in. There's al! so a bra nd-new fourth disc, but it's pretty minor. "Wrong Guy, Wrong Place, Wrong Time" is a 40-minute retrospective of the original movie. Wide-ranging but rather dull, it collects interviews with director John McTiernan, cinematographer Jan De Bont, screenwriters Jeb Stuart and Steven E. De Souza, other crew, and actors Reginald Veljohnson, Hart Bochner, and William Atherton. Also from 2007, "The Continuing Adventures of John McClane" looks at the second and third movies in the series. It's a mere 13 minutes and only interviews the two directors, Renny Harlin and (in new and old footage) John McTiernan. Last, three trailers for the 2007 film, Live Free or Die Hard, make this set look like something that was released merely to have something on the shelves while the new film was in theaters. --David HoriuchiThe third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of speci! al effects, unexpected comedy and non-stop thrills.The second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineThe second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the broth! er of the Germanic terrorist-thief Alan Rickman played in the ! original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineChristmas is not a good time of year in the McClane family. Especially for John McClane, who always happens to be in the wrong place at the wrong time. But if it weren't for the heroics of this rugged, resourceful cop, many lives would be lost and megalomaniacal terrorists with various European accents would be having their evil way. In 1988, director John McTiernan and the phenomenal hit Die Hard introduced the world to maverick Sgt. John McClane (Bruce Willis) of the New York Police Department, and in the course of this film and two blockbuster seq! uels McClane was frantically saving lives, buildings, airports, schools, cities, and even his marriage from the threat of international terrorists, psychopaths, and cagey mercenaries. Now you can watch antihero McClane blast his way through all three movies. Witness his transition from a happy-go-lucky, slightly cranky cop to extremely burnt-out, partially alcoholic cop with a propensity to attract extreme violence and catastrophe. Yet the one thing that always overshadows his character flaws is his uncanny ability to spoil the schemes of stylish villains with slick names such as Hans Gruber (the nasty terrorist from the first film, played to perfection by Alan Rickman). Sit down, pop some corn, grab a bottle of Coca-Cola, and get ready to watch (in any order you please) the Die Hard Trilogy--a must for any action buff or fan of Bruce Willis, who owes his film career to the enduring appeal of these global box-office hits. --Jeremy Storey

Saturday, December 17, 2011

Hypnotic Poison by Christian Dior for Women 3.4 oz Eau de Toilette Spray

Friday, December 16, 2011

Girls Life Application Study Bible NLT (Kid's Life Application Bible)

  • ISBN13: 9781414306469
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A compassionate, humorous story of faith, betrayal, and coming of age on the evangelical sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger-than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made! up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed "Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was! just three years old when her mother signed on as the organis! t of ten t revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and sur! real detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

" Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Te! rrell became known worldwide during the 1960s and '70s, the ca! ravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

"2011 sophomore album from the critically acclaimed Indie band. More spontaneous and stripped-down than either their self-made debut or their lush EP, Father, Son, Holy Ghost is a gorgeous, largely minor-key record, enlivened by flashes of innocent pop and given depth by its wealth of in! fluences and willingness to face sadness.This fun, fresh Bible, created especially for girls ages 8 to 12, presents God's Word in a meaningful way that helps them grow strong in their faith. Special features address issues girls and boys are facing at this age related directly to the experiences of living and growing up. There are many special features, including profiles of women in the Bible, character dilemmas (“How should I respond in this situation?”), answers to hot issues of the day, andâ€"on the lighter sideâ€"some accounts of embarrassing stories that have happened to boys and girls at this age.

Features:

  • Age-appropriate notes.
  • Attractive cover designs.
  • 16 pages of full-color illustrations about Bible-time daily life and customs.
  • Presentation page.
  • 1 year Greatest Stories reading plan.
  • Quick Answers topical index.
  • At-a-Glanceâ€"A first-person narration by women of the Bible about their own experiences and lessons! learned.
  • What Now?â€"Authentic, third-person scenarios i! n a conv ersational format designed to challenge readers to make their own decision about a real-life situation, pointing to Scripture for answers.
  • I Survived!â€"Personal stories of how older teens handled situations tweens are currently facing.
  • I'm Not the Only One!â€"Gives a lighter perspective on embarrassing situations.
  • Is It OK?â€"A reality check on what the Bible has to say about questions that are really on kids' minds.
  • Amazing Factsâ€"Interesting tidbits of Bible information designed to hook readers to Scripture.
  • Memory verses, charts, maps, book introductions, Plan of Salvation, and how to Read the Bible.

Wednesday, December 14, 2011

A Dog of Flanders

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A classic sentimental story of a rustic boy, Patrasche, and his beloved dog. T! he boy desires to be an artist and the dog helps him reach his goal. Both of them face various hardships to fulfill the dream. The novel stresses the need for hard work in order to realize an ambition. Undoubtedly a wonderful piece of writing that will be engraved in the reader’s memory. Timeless!

To find more titles in your format, Search in Books using EasyRead and the size of the font that makes reading easier and more enjoyable for you.

Sunday, December 11, 2011

Fried Green Tomatoes (Extended Collector's Edition)

  • Wide Screen edition
  • extended version
HOW TO MAKE AN AMERICAN QUILT - DVD MovieBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, t! his film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her imp! ending m arriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall Fine"Remarkable...An affirmation of the strength and power of individual lives, and the way they cannot help fitting together."
THE NEW YORK TIMES BOOK REVIEW
An extraordinay and moving reading experience, HOW TO MAKE AN AMERICAN QUILT is an exploration of women of yesterday and today, who join together in a uniquely female experience. As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.
A MAJOR MOTION PICTURE COMING OUT FALL 1995-- with Maya Angelou, Winona Ryder, and Rip TornBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineFroed Green tomatoes movie, wide screen edition, extended version DVD.Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing ! and moving 1991 screen adaptation of Fannie Flagg's novel F! ried Gre en Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom KeoghKathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Gr! een Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh

Atrend E12D B Box Series 12-Inch Dual Sealed Bass Boxes

  • Sealed Truck Enclosure
  • MDF Construction
  • Completely Carpeted Enclosure
  • 1-inch Speaker Baffles
  • Screwed Down Terminal Cups
Sultry crime boss Lucy Diamond (Jordana Brewster, The Fast and the Furious) is back in the states and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail. But when their top agent, gorgeous Amy Bradshaw (Sara Foster, The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy's secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy spy spoof about love at first gun sight.You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passin! g resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the s! cript is silly; overall, the film would have to put on conside! rable we ight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamBUSTED - DVD MovieThe producers of the raw and uncensored Def Comedy Jam and the Tony Award-winning Def Poetry Jam, in association with F.E.D.S. magazine, now take millions of hip-hop fans to the birthplace of the multi-billion dollar rap industry... The Streets. Bringing to life the stories chronicled in each issue of the unofficial street bible, new Def Filmmaker Kwame Amouku is given a pass to the neighborhoods, sets and underground spots that street bosses would never allow TV cameras to enter. Original and present day sets of South Central and Compton Bloods and Crips with OGs T. Rodgers and Michael Concepcion as our tour guides. F.E.D.S. features: The underground breeding, training, fighting and execution dens of the street's and hip-hop's official mascot, the! pit bull; The home and hustle spots of one of the only Harlem hustlers to ever get out of the game and live to tell about it. Told directly from the mouth of the legendary gentleman hustler himself, PeeWee Kirkland; The site of the attempted murder of F.E.D.S. founder Antoine Clark and the story of the magazine's unlikely rise to become the street's first publishing dynasty; A sneak preview of the home of legendary and present day bosses of the most notorious Jamaican Shottas, live and direct from Tivoli Gardens, Jamaica; The censors are off, the cameras are rolling and the streets are alking! Songs include: Being Lonely (Field Mob), Fly (213), Off the Wall (Skillz), Get By (Talib Kewli), Do Sumpthin? (Comp), B-More Anthem (Comp), Pushaman (Joe Budden), Safe (Scarface), In Cold Blood (Scarface), Uh Huh (Method Man), Hood Money (CNN)You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The p! remise, which bears a passing resemblance to any number of pre! vious fi lms (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would hav! e to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamBuy a new outfit. Be a disco diva. Learn to fish. Take a chance. Travel. Laugh. Love. Sometimes all you need to start really living is a little shove in the right direction â€" and that’s just what Holly Kennedy gets. From the handsome, big-hearted love of her life. From a series of mysterious letters. And from gal pals who know that a friend in need is a friend in need of some laughs! Based on Cecelia Ahern’s joyful bestseller and boasting a top cast led by two-time Academy Award® winner* Hilary Swank and Gerard Butler (300), P.S. I Love You is your very own message full of fun, love, triumph and romance. Open it now. (P.S. You’ll love it!)For those who believe true love lasts beyond this physical plane, P.S. I Love You is ! a jewel in the romantic-movie crown. With elements of Ghost! , Heaven Can Wait, and My Life, the film is an unabashed valentine to the notion of lasting (everlasting?) love. Hilary Swank is Holly, a deeply happy lass married to the most impossibly adorable Irishman on the planet, Gerry (Gerard Butler). When an illness takes him from her, Holly spirals into depression. Then, as if from beyond the grave, communications, gifts, and remembrances from Gerry begin to appear--gestures he'd planned knowing his death was coming. The "communications" with her dead husband could threatened to keep Holly in past, yet they begin to pave a path into her future.

Swank, not a traditional romantic actress, is quite moving as Holly, whose grief and confusion is palpable. Butler will win new continents of fans, largely female, as the yummiest honey one could wish for. Special kudos to the supporting cast, including Lisa Kudrow as a Holly pal, and James Marsters and Kathy Bates, always breaths of fresh air onscreen. Under the sure hand of ! director-writer Richard LaGravenese, P.S. I Love You is touching, sad (have tissues on hand), and heartbreakingly lovely. --A.T. HurleyAtrend E12D B Box Series Dual Sealed Bass Boxes (12-inch)

Christmas in the Clouds

Monday, December 5, 2011

The Assassination of Jesse James by the Coward Robert Ford

  • Everyone in 1880s America knows Jesse James. Hes the nations most notorious criminal, hunted by the law in 10 states. Hes also the lands greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. Hell befriend Jesse, ride with his gang. And if that doesnt bring Ford fame, hell find a deadlier way.Friendship become

Jesse James was a fabled outlaw, a charismatic, spiritual, larger-than-life bad man whose bloody exploits captured the imagination and admiration of a nation hungry for antiheroes. Robert Ford was a young upstart torn between dedicated worship and murderous jealousy, the "dirty little coward" who coveted Jesse's legend. The powerful, strange, and unforgettable story of their interweaving pathsâ€"and twin destinies that would collide in a rain of blood and betrayalâ€"is a story of America in all ! her rough, conflicted glory and the myths that made her.

2008 soundtrack to the acclaimed film starring Brad Pitt. The soundtrack's composers, Nick Cave and Warren Ellis, come from the internationally celebrated bands Nick Cave And The Bad Seeds, The Dirty Three and Grinderman. Cave and Ellis composed, played and produced this compelling and intense soundtrack for director Andrew Dominik's savage tale of the true West, The Assassination of Jesse James By The Coward Robert Ford. This soundtrack perfectly captures the charismatic and unpredictable nature of the film's central protagonist. Like the film, Cave and Ellis' music cuts through the mythic figure of Jesse James to reveal the complex, contradictory man beneath. Daring and passionately delivered, this beautiful soundtrack retains its captivating power even without the benefit of Dominik's images. Mute.Hansen re-creates the real West with his imaginative telling of the life of the most famous outlaw of them all, ! Jesse James, and of his death at the hands of the upstart Robe! rt Ford. James, a charismatic, superstitious, and moody man, holds sway over a ragged gang who fear his temper and quick shooting. Robert Ford, a young gang member torn between worshipping Jesse and taking his place, guns him down in cold blood and lives out his days tormented by the killing.Everyone in 1880s America knows Jesse James. He’s the nation’s most notorious criminal, hunted by the law in 10 states. He’s also the land’s greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. He’ll befriend Jesse, ride with his gang. And if that doesn’t bring Ford fame, he’ll find a deadlier way. Friendship becomes rivalry and the quest for fame becomes obsession in this virile epic produced in part by Ridley Scott and featuring gripping portrayals by Brad Pitt (winner of the Venice Film Festival Best Actor Award) as Jesse and Casey Affleck as the youth drawn closer to his goal…and farthe! r from his own humanity.Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fascinating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony.

The film--only the second to be made by New Zealandâ€"born writer-director Andrew Dominik--reminds us that Dominik's debut film, Ch! opper (2000), was the cunningly off-kilter portrait of ano! ther rea l-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robbery we witness is punctuated by acts of gratuitous brutality, not gallantry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise.

Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness i! s astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelistic backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title.

Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few West! erns have conveyed so tangibly the bleakness and austerity of ! the spac es people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson

Saturday, December 3, 2011

ViTiny UM02 Handheld USB Digital Microscope/Webcam (up to 320x on 22" Monitor) with measurement functions

  • Magnification: 1x to 80X, 320x on 22" monitor
  • Lens & CMOS sensor: 2M pixels
  • Still Image Resolution: 1600x1200 pixels (Formats: JPEG, BMP); Video Resolution: 1600x1200 pixels
  • Light Source: 4 White LED Lights; PC interface: USB 2.0
  • Included Software with Powerful Measurement Function: length, angle, diameter and area etc.
HELD UP - DVD MovieIn Held Up, a romantic trip turns sour when Rachel (Nia Long) learns that Michael (Jamie Foxx) used the down payment for their future home to buy a classic car. Disgusted, she leaves him at a roadside gas station in the middle of the Nevada desert. Soon the car is stolen, thieves descend to rob the place, and the untimely arrival of the police creates a hostage situation with Michael in the middle. The circumstances want to cascade into mounting absurdity, but the ending doesn't quite provide a strong capper. Still, get! ting there is entertaining. Foxx is engaging, and the supporting cast--including Julie Hagerty, John Collum, Barry Corbin, and Jake Busey--create a colorful collection of locals. --Bret FetzerKaitlin Olson (It's Always Sunny In Philadelphia) stars opposite Jon Dore in this hilarious heist comedy written and directed by Jason and Randy Sklar (Cheap Seats). A disgruntled and bored bank teller named Ray (Jon Dore) finally gets his wish for some excitement when the branch is held up by two teams of crazy robbers disguised as Rocky I, Rocky II, Batman and Robin. As the robbery unfolds, the hostages fall victim to a comedic version of the Stockholm Syndrome and begin sympathizing with their dimwitted captors, which leads to an extended siege as Ray pursues a romantic relationship with one of the robbers (Kaitlin Olson).

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

SPRUNG/HELD UP - DVD Movi! eMy Best Friend's Girl:
Smart, beautiful and ! headstro ng, Alexis is the girl of Dustin's dreams. But after only five weeks of dating, the love-struck Dustin is coming on so strong that Alexis is forced to slow things down - permanently. Devastated and desperate to get her back, Dustin turns to his best friend, Tank, the rebound specialist. A master at seducing - and offending - women, Tank gets hired by freshly dumped guys to take their ex-girlfriends out on the worst date of their lives - an experience so horrible it sends them running gratefully back to their beaus. But when Tank works his magic on Alexis, he ends up meeting the challenge of a lifetime. Alexis is the first girl who knows how to call his bluff, and Tank soon finds himself torn between his loyalty to Dustin and a strange new attraction to his best friend's girl.

Held Up:
Michael Dawson (Jamie Foxx) is a winner. He is a sexy, smart and successful Chicago businessman on vacation with his beautiful fiancee, Rae (Nia Long). But Michael's wo! rld is turned upside down when Rae dumps him in the desert - his car is jacked by a teenager; and worse, he is taken hostage in a stickup at the local Sip and Zip. What should have been a romantic getaway, turns into one hilarious bungle after another.

Jailbait:
It's not easy being the most popular couple in high school. Adam and Amber are the golden pair of Gaitlin High and are very busy being cool. Yet somehow Adam fins time for extracurricular activities, like "making it" with Gynger, a sophomore, in the bathroom ofa local restaurant. Soon, Adam's tidy world starts to fall apart when he finds out Gynger is pregnant. An ambitious Assistant District Attorney decides to file charges against Adam. Trying to help, Adam's parents hire a third-rate attorney whose every move just makes matters worse! Jailbait! is a wickedly funny look at how far some guys will go to score. Can Adam find a way to keep himself out of jail and his girlfriend by this ! side? Watch this hysterical teen comedy featuring a cool cast ! of young stars and a hip soundtrack. See what happens when hormones rage and you're under age!!

Loco Love:
When Donald's wealthy wife leaves him and takes his restaurant with her, help comes in the unlikely for of his gardener (Gerado Mejia) and recent lottery winner. The gardener offers him a new restaurant if he agrees to marry his beautiful but shrewish sister (Laura Elena Harring) so she can get a green card. Donald's luck seems to have gone from bad to worse as he finds that he has not onlymarried an incredibly feisty woman but also an equally eccentric and wacky family. Cultures clash and roles reverse in this zesty comedy that proves love knows no borders.Connect UM02 to your computer (PC) with USB cable included, and view the micro world right on your computer screen! UM02 is a small and light USB camera microscope with 2M pixels CMOS image sensor, and provides 320x magnification on a 22" monitor. It is the most versatile digital microscope in the ma! rket today. It has the ability to capture images in high magnifications, take standard photos, record videos, and can be used as a web camera. Moreover, this model includes a powerful measurement function, which allows the user to input the magnification value from the microscope's zoom control, and directly measure the length, angle, circumference, diameter and area of the object in view. UM02 fits perfectly and ergonomically in the hand. It is ideal for a variety of applications including textile inspection, detailed repair, printing inspection, computer parts inspection, living creature examination, reading aid, and collectables examination (coins, etc,), education to students and hobbies. Compatibility: Windows 7/Vista/XP. Accessories Included: USB Cable, Software CD, Operation Manual, Stand for Microscope, Calibrator for Measurement Application. Manufacturer's Warranty: 1 year. This microscope has clear and high quality pictures.

Election

  • Every two years the senior members of the Wo Shing Triad, the oldest gang in Hong Kong, elect an up-and-coming younger boss as their chairman. The two candidates they are voting on couldn t be farther apart in personality; Lok (Simon Yam) is a levelheaded businessman and Big D (Tony Leung Ka-Fai) is a loud, obnoxious, violent criminal. When the voting does not go how some people would have liked,
Tracy Flick, a straight-A go-getter, is determined to be president of Carver High's student body. Popular teacher Jim McAllister decides to derail Tracy's obsessive overachieving by recruiting an opposition candidate.
Genre: Feature Film-Comedy
Rating: R
Release Date: 2-JAN-2007
Media Type: DVDMatthew Broderick makes up for years of wet-noodle performances with his low-key but unsparing characterization of Jim McAllister, a high school teacher at George Washing! ton Carver High School in Omaha, Nebraska. Driven by a strange mixture of loathing and lust for pathologically overachieving student Tracy Flick (Reese Witherspoon), McAllister encourages a dim but popular athlete, Paul (Chris Klein from American Pie), to run against her in the election for student-council president. Director-cowriter Alexander Payne (Citizen Ruth) turns this deceptively simple premise into a complex and scathing comedy of ambition, corruption, and desire, all at its most naked and petty. Every scene contains some painfully funny nuance that will make you wince in a mixture of astonishment and empathy. Witherspoon flips effortlessly back and forth from adolescent vulnerability to steely-eyed strength; she's becoming a contemporary Carole Lombard. The movie itself feels like a magnificent throwback to the richly layered comedies of the '30s, which drew their humor from sharply drawn characters and twisting plots instead of explosions of bodily ! fluids. With a wealth of smart, cutting details, Election rewar ds multiple viewing. --Bret FetzerReese Witherspoon (Legally Blonde) is Tracy Flick, a straight "A" go-getter who's determined to be president of Carver High's student body. But when popular teacher Jim McAllister (Matthew Broderick, The Producers) observes the zealous political locomotive that is Tracy, he decides to derail her obsessive overachieving by recruiting an opposition candidate (Chris Klein, American Pie) - with disastrous results! Here's a smart, witty and hilarious jab at high school politics helmed by award-winning director Alexander Payne (Sideways).Matthew Broderick makes up for years of wet-noodle performances with his low-key but unsparing characterization of Jim McAllister, a high school teacher at George Washington Carver High School in Omaha, Nebraska. Driven by a strange mixture of loathing and lust for pathologically overachieving student Tracy Flick (Reese Witherspoon), McAllister encourages a dim but popular athlet! e, Paul (Chris Klein from American Pie), to run against her in the election for student-council president. Director-cowriter Alexander Payne (Citizen Ruth) turns this deceptively simple premise into a complex and scathing comedy of ambition, corruption, and desire, all at its most naked and petty. Every scene contains some painfully funny nuance that will make you wince in a mixture of astonishment and empathy. Witherspoon flips effortlessly back and forth from adolescent vulnerability to steely-eyed strength; she's becoming a contemporary Carole Lombard. The movie itself feels like a magnificent throwback to the richly layered comedies of the '30s, which drew their humor from sharply drawn characters and twisting plots instead of explosions of bodily fluids. With a wealth of smart, cutting details, Election rewards multiple viewing. --Bret FetzerMatthew Broderick makes up for years of wet-noodle performances with his low-key but unsparing charac! terization of Jim McAllister, a high school teacher at George ! Washingt on Carver High School in Omaha, Nebraska. Driven by a strange mixture of loathing and lust for pathologically overachieving student Tracy Flick (Reese Witherspoon), McAllister encourages a dim but popular athlete, Paul (Chris Klein from American Pie), to run against her in the election for student-council president. Director-cowriter Alexander Payne (Citizen Ruth) turns this deceptively simple premise into a complex and scathing comedy of ambition, corruption, and desire, all at its most naked and petty. Every scene contains some painfully funny nuance that will make you wince in a mixture of astonishment and empathy. Witherspoon flips effortlessly back and forth from adolescent vulnerability to steely-eyed strength; she's becoming a contemporary Carole Lombard. The movie itself feels like a magnificent throwback to the richly layered comedies of the '30s, which drew their humor from sharply drawn characters and twisting plots instead of explosions of bodily fl! uids. With a wealth of smart, cutting details, Election rewards multiple viewing. --Bret FetzerEvery two years the senior members of the Wo Shing Triad, the oldest gang in Hong Kong, elect an up-and-coming younger boss as their chairman. The two candidates they are voting on couldn’t be farther apart in personality; Lok (Simon Yam) is a levelheaded businessman and Big D (Tony Leung Ka-Fai) is a loud, obnoxious, violent criminal. When the voting does not go how some people would have liked, lines are divided and a gang war begins to form.

The Butterfly Effect: How Your Life Matters

Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

  • 1 Blueray Disk Only.
  • In Jewel Case
  • Preowned
  • Great Condition
From the producers of Shaun of the Dead, Attack the Block is a fast, funny, frightening action adventure movie that pits a teen street gang against an invasion of savage alien monsters. It turns a London housing project into a sci-fi battleground, the low-income apartment complex into a fortress under siege. And it turns a crazy mix of tough street kids into a team of kick ass heroes. It’s inner city versus outer space and it’s going to explode. A high-concept, micro-pocketed mash note to John Carpenter and Walter Hill, this Cockney vs. Aliens saga generates an enormous amount of likability out of some very limited means. Executive produced by the folks behind Shaun of the Dead, writer-director Joe Cornish's feature debut mixes gore and gags in a ratio that should drive genre fans bon! kers. Unlike many recent Comic-Con-friendly movies, however, Attack the Block admirably concentrates on actually telling a story first, with the in-jokes and pop-culture references treated as tinsel. Kicking off with a literal bang, Cornish's script follows a group of British teenage punks on the downward slide to outright thugdom. Once a horde of neon-toothed aliens starts falling from the sky, however, the kids find themselves appointed the unlikely protectors of their grotty South London housing complex. Cue the bottle rockets, dirt bikes, and ninja weapons. There's not much to the story beyond that, really, but any narrative sparseness is leavened by some healthy doses of low-budget ingenuity, chief among them the design of the negative-image aliens themselves, which suggest ticked-off wild boars after a serious Rogaine overdose. On the character front, the film also scores, quickly sketching out its team of likable (but not cuddly) bad seeds with distinct person! alities. (That said, American viewers should be prepared to ha! ve at le ast a quarter of the slang fly over their heads.) Clocking in at a just-right 88 minutes, Attack the Block may ultimately never rise above the level of clever homage, but there's copious evidence that the filmmaker already has a firm understanding of what makes B movies tick. While his first film doesn't exactly reinvent the wheel, check out all the neat stuff in the spokes. --Andrew WrightFrom the producers of Shaun of the Dead, Attack the Block is a fast, funny, frightening action adventure movie that pits a teen street gang against an invasion of savage alien monsters. It turns a London housing project into a sci-fi battleground, the low-income apartment complex into a fortress under siege. And it turns a crazy mix of tough street kids into a team of kick ass heroes. It’s inner city versus outer space and it’s going to explode. A high-concept, micro-pocketed mash note to John Carpenter and Walter Hill, this Cockney vs. Aliens saga generate! s an enormous amount of likability out of some very limited means. Executive produced by the folks behind Shaun of the Dead, writer-director Joe Cornish's feature debut mixes gore and gags in a ratio that should drive genre fans bonkers. Unlike many recent Comic-Con-friendly movies, however, Attack the Block admirably concentrates on actually telling a story first, with the in-jokes and pop-culture references treated as tinsel. Kicking off with a literal bang, Cornish's script follows a group of British teenage punks on the downward slide to outright thugdom. Once a horde of neon-toothed aliens starts falling from the sky, however, the kids find themselves appointed the unlikely protectors of their grotty South London housing complex. Cue the bottle rockets, dirt bikes, and ninja weapons. There's not much to the story beyond that, really, but any narrative sparseness is leavened by some healthy doses of low-budget ingenuity, chief among them the design of the ! negative-image aliens themselves, which suggest ticked-off wil! d boars after a serious Rogaine overdose. On the character front, the film also scores, quickly sketching out its team of likable (but not cuddly) bad seeds with distinct personalities. (That said, American viewers should be prepared to have at least a quarter of the slang fly over their heads.) Clocking in at a just-right 88 minutes, Attack the Block may ultimately never rise above the level of clever homage, but there's copious evidence that the filmmaker already has a firm understanding of what makes B movies tick. While his first film doesn't exactly reinvent the wheel, check out all the neat stuff in the spokes. --Andrew WrightTucker and Dale are two best friends on vacation at their dilapidated mountain house, who are mistaken for murderous backwoods hillbillies by a group of obnoxious, preppy college kids. When one of the students gets separated from her friends, the boys try to lend a hand, but as the misunderstanding grows, so does the body count.Slapdash S! cary Movie cycle aside, the slasher genre has proven fairly resistant to effective satire, mainly because the movies themselves already go so far over the top. (After Jason goes to space, where else can you possibly go?) Arriving amidst some monster film festival buzz, Tucker & Dale vs. Evil scores big laughs by slyly inverting the formula, casting the standard backwoods maniacs as bewildered everymen surrounded by accident-prone teens. While it may basically be a one-joke movie, it sustains that joke for a remarkably long time. Kicking off with an effective Blair Witch jab, the story follows Tucker (Alan Tudyk) and Dale (Tyler Labine), two good-natured good ol' boys with aims of fixing up their rickety cabin in the woods into a vacation home. Before they've emptied their first six-pack, they find themselves besieged by a group of stereotypical college kids who start dying in increasingly bizarre ways around them. As the bodies stack like cordwood, the duo! 's obliviousness only grows. First-time director-cowriter Eli ! Craig cl early knows his subject material well, trotting out the skinny-dipping coeds and conveniently placed sharp implements with relish, particularly with a wood chipper that really should have received a supporting actor credit. Clever as the concept is, though, it wouldn't stretch nearly as far without the performances, most notably Labine as a Bigfootish idiot savant and 30 Rock's Katrina Bowden as a Final Girl fully aware of the situation's absurdity. Although the invention may sputter at times, Tucker & Dale provides enough amiable chuckles and ridiculous gore to satisfy even the snootiest genre fan. For the sequel, can we get them near a rocket? --Andrew WrightJJ Abrams and Steven Spielberg join forces in this extraordinary tale of youth, mystery, and adventure. Super 8 tells the story of six friends who witness a train wreck while making a Super 8 movie, only to learn that something unimaginable escaped during the crash. They soon discover th! at the only thing more mysterious than what it is, is what it wants. Experience the film that critics rave is, “filled with unstoppable imagination and visual effects to spare. It will put a spell on you.” â€" Peter Travers, Rolling StoneFew filmmakers have ever had a run at the tables like Steven Spielberg, whose output from 1971's Sugarland Express to, say, 1982's E.T. displayed an amazingly unforced melding of huge set pieces and small human gestures. Even at their most chaotic, they somehow felt organic. Super 8, writer-director J.J. Abrams's authorized tribute to classic Spielbergisms, hits all of the marks (Lived-in suburbia backdrop, check. Awestruck gazes upwards, check. Parental discord, check. Lens flares, amazingly huge check), but its adherence to the formula squelches much of its own potential. Appealing as it is to see a summer movie that retro-prioritizes character development over jittery quick-cut explosions, the viewer is always! aware at how furiously it's working to seem effortless. Set i! n 1979, Abrams's script follows a group of movie-crazy kids attempting to make a zombie flick, only to have their plans cut short by a close encounter with a train derailment. As the military pours over the wreckage and neighbors start disappearing, the gang realizes that their footage contains a cameo appearance by an extremely grumpy guest star. For a film whose promotional campaign hinged so strongly on creating an air of mystery, Super 8 is a fairly straightforward melding of E.T. and Jurassic Park, albeit one featuring an oddly schizophrenic monster (he eats people… until he doesn't). Abrams makes his young cast shine (particularly when developing a hint of romance between leads Joel Courtney and Elle Fanning), while also providing a nice character arc for Kyle Chandler, as a widowed deputy who can see his relationship with his son slipping away. Aside from a few primo early jolts, however, the creature-feature aspects feel increasingly shoehorned in alon! gside the more assured coming-of-age elements. Abrams's film has more than enough bright spots to warrant a viewing, but its insistence on worshipfully following the master's playbook is a bit of a bummer. Imitation isn't always flattering. --Andrew WrightStudio: Oscilloscope Pictures Release Date: 10/25/2011 Run time: 80 minutes Rating: RTucker and Dale are two best friends on vacation at their dilapidated mountain house, who are mistaken for murderous backwoods hillbillies by a group of obnoxious, preppy college kids. When one of the students gets separated from her friends, the boys try to lend a hand, but as the misunderstanding grows, so does the body count.Slapdash Scary Movie cycle aside, the slasher genre has proven fairly resistant to effective satire, mainly because the movies themselves already go so far over the top. (After Jason goes to space, where else can you possibly go?) Arriving amidst some monster film festival buzz, Tucker & Dale vs.! Evil scores big laughs by slyly inverting the formula, ca! sting th e standard backwoods maniacs as bewildered everymen surrounded by accident-prone teens. While it may basically be a one-joke movie, it sustains that joke for a remarkably long time. Kicking off with an effective Blair Witch jab, the story follows Tucker (Alan Tudyk) and Dale (Tyler Labine), two good-natured good ol' boys with aims of fixing up their rickety cabin in the woods into a vacation home. Before they've emptied their first six-pack, they find themselves besieged by a group of stereotypical college kids who start dying in increasingly bizarre ways around them. As the bodies stack like cordwood, the duo's obliviousness only grows. First-time director-cowriter Eli Craig clearly knows his subject material well, trotting out the skinny-dipping coeds and conveniently placed sharp implements with relish, particularly with a wood chipper that really should have received a supporting actor credit. Clever as the concept is, though, it wouldn't stretch nearly as far wit! hout the performances, most notably Labine as a Bigfootish idiot savant and 30 Rock's Katrina Bowden as a Final Girl fully aware of the situation's absurdity. Although the invention may sputter at times, Tucker & Dale provides enough amiable chuckles and ridiculous gore to satisfy even the snootiest genre fan. For the sequel, can we get them near a rocket? --Andrew WrightCaptain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pure action, and pure fun!” â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do th! e origin story in a movie you'd better set it in the 1940s. Bu! t how, t hen, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mis! sion for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, although the war action goes generic for a while and the climax feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton